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Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV
14 references·0 citing·36 second hop
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this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1994Adoring Audience: Fan Culture and Popular Media925 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 2013Authentic: The Politics of Ambivalence in a Brand Culture389 cited
  • 2004After Subculture234 cited
  • 2001Reconsidering rock144 cited
  • 2003Teenyboppers, Groupies, and Other Grotesques: Girls and Women and Rock Culture in the 1960s and early 1970s137 cited
  • 2002Look! Hear! The uneasy relationship of music and television76 cited
  • 2011Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity”73 cited
  • 2007“EVERYTHING LOUDER THAN EVERYTHING ELSE”62 cited
  • 2003Low Television, High Fidelity: Taste and the Gendering of Home Entertainment Technologies40 cited
  • 2007Filling in Holes : Television Music as a Recuperation of Popular Music on Television15 cited

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