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Liveness: Phelan, Auslander, and After
14 references·2 citing·39 second hop
Liveness: Phelan, Auslander, and After (2015)Liveness: Phelan, Auslander, and AfterDigital Liveness: A Historico-Philosophical Perspective (2012)Digital Liveness: A Historico…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Documentation, disappearance and the representation of live performance (2007)Documentation, disappearance …Young audiences and live theatre, Part 2: Perceptions of liveness in performance (2006)Young audiences and live thea…Utopia in Performance (2005)Utopia in PerformanceTheatre and Consciousness: Explanatory Scope and Future Potential (2005)Theatre and Consciousness: Ex…Crash , theatre audiences, and the idea of ‘liveness’ (2003)Crash , theatre audiences, an…Pure Consciousness: Distinct Phenomenological and Physiological Correlates of “Consciousness Itself” (2000)Pure Consciousness: Distinct …First-person methodologies: What, why, how? (1999)First-person methodologies: W…Explaining consciousness : The hard problem (1997)Explaining consciousness : Th…The conscious mind: in search of a fundamental theory (1996)The conscious mind: in search…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Towards a Third Theatre: Eugenio Barba and the Odin Teatret (1993)Towards a Third Theatre: Euge…States of Consciousness and State-Specific Sciences (1972)States of Consciousness and S…Gatekeeper perceptions on adopting environmentally sound information and communication technology-enhanced live performances to improve the sustainability of music festivals (2022)Gatekeeper perceptions on ado…Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance (2017)Together, Apart: Liveness, Ev…Consciousness and the Computational Mind (1987)The Rediscovery of the Mind (1992)Anticipating seizure: Pre-reflective experience at the center of neuro-phenomenology (2007)Leviathan and the Air-Pump (2011)Framing a phenomenological interview: what, why and how (2015)The Specificity of Observational Studies in Physical Activity and Sports Sciences: Moving Forward in Mixed Methods Research and Proposals for Achieving Quantitative and Qualitative Symmetry (2017)On the social psychology of the psychological experiment: With particular reference to demand characteristics and their implications. (1962)Norms and Counter-Norms in a Select Group of the Apollo Moon Scientists: A Case Study of the Ambivalence of Scientists (1974)Consciousness in Contemporary Psychology (1980)Altered States of Consciousness (2012)The Principles of Psychology (1891)The varieties of religious experience: A study in human nature. (1902)A manual for standardized terminology, techniques and scoring system for sleep stages in human subjects (1968)Impact of regular meditation practice on EEG activity at rest and during evoked negative emotions (2005)Toward a unifying taxonomy and definition for meditation (2013)From many to (n)one: Meditation and the plasticity of the predictive mind (2021)Truth and Method (1960)Noise, the Political Economy of Music (1989)The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience (2018)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Temporality of the Landscape Revisited (2016)Still Shakespeare and the Photography of Performance (2019)Choreography Invisible (2020)On a confusion about a function of consciousness (1995)Consciousness and Complexity (1998)Core affect and the psychological construction of emotion. (2003)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)The Unconscious Homunculus (2000)Can a machine be conscious? How? (2003)On the correlation/constitution distinction problem (and other hard problems) in the scientific study of consciousness (2007)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Introduction: Queer Utopias, Queer Futurity, and Potentiality in Quotidian Practice (2013)Passionate amateurs: theatre, communism, and love (2014)Audience Experience in an Anti-expert Age: A Survey of Theatre Audience Research (2017)
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References

  • 1996The conscious mind: in search of a fundamental theory4,147 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2005Utopia in Performance689 cited
  • 1972States of Consciousness and State-Specific Sciences302 cited
  • 1999First-person methodologies: What, why, how?288 cited
  • 2000Pure Consciousness: Distinct Phenomenological and Physiological Correlates of “Consciousness Itself”184 cited
  • 2012Digital Liveness: A Historico-Philosophical Perspective167 cited
  • 1997Explaining consciousness : The hard problem132 cited
  • 2007Documentation, disappearance and the representation of live performance64 cited
  • 1993Towards a Third Theatre: Eugenio Barba and the Odin Teatret42 cited
  • 2003Crash , theatre audiences, and the idea of ‘liveness’35 cited
  • 2006Young audiences and live theatre, Part 2: Perceptions of liveness in performance30 cited
  • 2005Theatre and Consciousness: Explanatory Scope and Future Potential19 cited

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  • 2017Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance22 cited

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  • 2022Gatekeeper perceptions on adopting environmentally sound information and communication technology-enhanced live performances to improve the sustainability of music festivals14 cited