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Alois Riegl: art history and theory
0 references·12 citing·52 second hop
Alois Riegl: art history and theory (1994)Alois Riegl: art history and theoryThe Rise of Byzantine Art and Archaeology in Late Imperial Russia (2020)The Rise of Byzantine Art and…Screen Space Reconfigured (2020)Screen Space ReconfiguredKnowledge worlds apart: Aesthetic experience as an epistemological boundary object (2020)Knowledge worlds apart: Aesth…Seeing touch and touching sight: a reflection on the tactility of vision (2019)Seeing touch and touching sig…Technique and the Art of Immortality, 1800–1900 (2017)Technique and the Art of Immo…Zoomusicology and Ethnomusicology: A Marriage to Celebrate in Heaven (2012)Zoomusicology and Ethnomusico…GLOWING EVIDENCE: PHOTOGRAMS – THE DARK SIDE OF PHOTOGRAPHY / SPINDINTIS AKIVAIZDUMAS: FOTOGRAMOS – TAMSIOJI FOTOGRAFIJOS PUSĖ (2012)GLOWING EVIDENCE: PHOTOGRAMS …The Schenker Project (2007)The Schenker ProjectThe Dubious Inheritance of Touch: Art History and Museum Access (2006)The Dubious Inheritance of To…Time and History in Alois Riegl's Theory of Perception (2005)Time and History in Alois Rie…Key Writers on Art: From Antiquity to the Nineteenth Century (2005)Key Writers on Art: From Anti…From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms (2000)From the culture of spolia to…The Ideology of the Aesthetic (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Techniques of the observer: on vision and modernity in the nineteenth century (1991)S chenker 's V ienna : N icholas C ook on C ulture , R ace and M usic T heory in fin ‐ de ‐ siècle A ustria (2009)Traces of the Past (2016)The Legacy of Alois Riegl: Material Authenticity of the Monument in the Digital Age (2017)The Power of Images in the Age of Augustus (1988)Lexicon topographicum urbis Romae (1993)Developments in provincial and local administration (2005)The Cambridge Ancient History (2005)Emperor and Senators in the Reign of Constantius II (2018)The history of the decline and fall of the Roman Empire (2019)Frames of Mind: The Theory of Multiple Intelligences (1984)Perspective as symbolic form (1992)Descartes: Meditations on First Philosophy (1996)Re-imagining the museum through “touch” (2015)Redefining Access: Embracing multimodality, memorability and shared experience in Museums (2016)Evaluation of Touchable 3D‐Printed Replicas in Museums (2017)Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)How the Mind Works (1999)The singing Neanderthals: The origins of music, language, mind, and body (2006)Introduction: Considering Music, Humans, and Non-humans (2013)Musical Movement: Towards a Common Term for Music and Dance (2013)Attending to the Nightingale: On a Multispecies Ethnomusicology (2020)Material culture and mass consumption (1988)Feminine Endings: Music, Gender, and Sexuality (1992)Hitler's Willing Executioners: Ordinary Germans and the Holocaust (1996)Compositions, Scores, Performances, Meanings (2012)The Cambridge History of Music Criticism (2019)Music Theory and the White Racial Frame (2020)The materials of the artist and their use in painting, with notes on the techniques of the old masters (1949)The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources (2002)The body of the artisan: art and experience in the scientific revolution (2004)The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts (2019)Phenomenology of Perception. (1964)The visible and the invisible (1968)Phenomenology of Perception (1982)Acoustics as Tangible Heritage: Re-embodying the Sensory Heritage in the Boundless Reign of Sight (2021)Judith Scott: Capturing the Texture of Sensation (2021)Linguistic Hauntings at the Margins of China (2025)Forms of Respect: Alois Riegl's Concept of Attentiveness (1989)Production of presence: what meaning cannot convey (2004)The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847-1873 (2011)Postmodernism, or, The cultural logic of late capitalism (1991)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Cross-platform language learning: A spatial perspective on narratives of language learning across digital platforms (2023)Selected writings on art and literature (1953)Economic and Philosophic Manuscripts of 1844. (1959)Forms of representation in Alois Riegl's theory of art (1992)Literary studies and the academy (2013)The Cambridge History of Literary Criticism (2013)Women and literary criticism (2013)
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  • 2000From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms201 cited
  • 2007The Schenker Project152 cited
  • 2006The Dubious Inheritance of Touch: Art History and Museum Access70 cited
  • 2005Key Writers on Art: From Antiquity to the Nineteenth Century45 cited
  • 2019Seeing touch and touching sight: a reflection on the tactility of vision36 cited
  • 2020Screen Space Reconfigured35 cited
  • 2012Zoomusicology and Ethnomusicology: A Marriage to Celebrate in Heaven28 cited
  • 2005Time and History in Alois Riegl's Theory of Perception15 cited
  • 2017Technique and the Art of Immortality, 1800–19006 cited
  • 2020Knowledge worlds apart: Aesthetic experience as an epistemological boundary object4 cited
  • 2020The Rise of Byzantine Art and Archaeology in Late Imperial Russia2 cited
  • 2012GLOWING EVIDENCE: PHOTOGRAMS – THE DARK SIDE OF PHOTOGRAPHY / SPINDINTIS AKIVAIZDUMAS: FOTOGRAMOS – TAMSIOJI FOTOGRAFIJOS PUSĖ1 cited

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