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Review: Daniel Belgrad, The Culture of Spontaneity: Improvisation and the Arts in Postwar America (Chicago, 1998)
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  • 2008Romantic Automatism: Art, Technology, and Collaborative Labor in Cold War America33 cited
  • 2010Identity sequences and the early adoption pattern of a jazz canon, 1920–192915 cited
  • 2010‘Listening to the Sounds of the People’: Frederic Rzewski and Musica Elettronica Viva (1966–1972)7 cited
  • 2012Performing the Past to Claim the Future: Sun Ra and the Afro-Future Underground, 1954-19685 cited
  • 2013Modernity, Cultural Anesthesia, and Sensory Agency: Technologies of the Listening Self in a US Collegiate Jazz Music Program4 cited

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