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A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors
12 references·2 citing·35 second hop
A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors (2006)A Performance and Listener-Centered Appro…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Why Suyà Sing. A Musical Anthropology of an Amazonian People (1991)Why Suyà Sing. A Musical Anth…Music and Discourse: Toward a Semiology of Music (1991)Music and Discourse: Toward a…The Social Structuring of Sound: The Temiar of Peninsular Malaysia (1984)The Social Structuring of Sou…Sound Structure as Social Structure (1984)Sound Structure as Social Str…"Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering (1979)"Pulling the Ancestors": Perf…Whose Music? A Sociology of Musical Languages (1978)Whose Music? A Sociology of M…How Musical Is Man? (1976)How Musical Is Man?Verbal Art as Performance1 (1975)Verbal Art as Performance1The Cherokee Ballgame Cycle: An Ethnomusicologist's View (1971)The Cherokee Ballgame Cycle: …Symbolic Interactionism: Perspective and Method. (1971)Symbolic Interactionism: Pers…Folk Song Style and Culture (1969)Folk Song Style and CultureInvestigating Musical Performance (2020)Investigating Musical Perform…Culturally Identifying the Performance Practices of Astor Piazzolla's Second Quinteto (2009)Culturally Identifying the Pe…Steps to an Ecology of Mind (1973)Handbook of social and cultural anthropology. (1974)Linguistics and Poetics (1981)The Place of Story in the Study of Teaching and Teacher Education (1993)Style: Language Variation and Identity (2007)Ethnographic Atlas: A Summary (1967)Folk Song Style and Culture. (1969)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)What Is Sociological about Music? (2010)The Theory of Social and Economic Organization. (1948)Thick Description: Towards an Interpretive Theory of Culture (1973)Head, Heart, Odor, and Shadow: The Structure of the Self, the Emotional World, and Ritual Performance among Senoi Temiar (1990)Celebrations of Death (1991)The appraisal basis of anger: Specificity, necessity and sufficiency of components. (2003)Appraisal as a Pervasive Determinant of Anger. (2004)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Performing democracy: Bulgarian music and musicians in transition (2006)Soundscapes: Toward a Sounded Anthropology (2010)Emotion Work, Feeling Rules, and Social Structure (1979)The Social Amplification of Risk: A Conceptual Framework (1988)Anarchy is what states make of it: the social construction of power politics (1992)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Innate talents: Reality or myth? (1998)The singing Neanderthals: The origins of music, language, mind, and body (2006)Synchrony lost, synchrony regained: The achievement of musical co-ordination (1996)Informal learning and meta-pedagogy in initial teacher education in England (2010)Shared cultural knowledge: Effects of music on young children’s social preferences (2016)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Theorizing Musical Meaning (2001)Universals in the world’s musics (2011)Does synchrony promote generalized prosociality? (2013)Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation (2013)
this work references cited by second hop

References

  • 1971Symbolic Interactionism: Perspective and Method.9,967 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1975Verbal Art as Performance11,126 cited
  • 1991Music and Discourse: Toward a Semiology of Music510 cited
  • 1976How Musical Is Man?465 cited
  • 1969Folk Song Style and Culture355 cited
  • 1984Sound Structure as Social Structure346 cited
  • 1991Why Suyà Sing. A Musical Anthropology of an Amazonian People175 cited
  • 1978Whose Music? A Sociology of Musical Languages94 cited
  • 1984The Social Structuring of Sound: The Temiar of Peninsular Malaysia34 cited
  • 1979"Pulling the Ancestors": Performance Practice and Praxis in Mapuche Ordering17 cited
  • 1971The Cherokee Ballgame Cycle: An Ethnomusicologist's View13 cited

Cited by

  • 2009Culturally Identifying the Performance Practices of Astor Piazzolla's Second Quinteto4 cited
  • 2020Investigating Musical Performance3 cited

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