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A Reintroduction to the American Horror Film
8 references·0 citing·24 second hop
A Reintroduction to the American Horror Film (2011)A Reintroduction to the American Horror F…Shocking representation: historical trauma, national cinema, and the modern horror film (2006)Shocking representation: hist…Hitchcock: Past and Future (2004)Hitchcock: Past and FutureMen, women, and chain saws: gender in the modern horror film (1992)Men, women, and chain saws: g…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Intimate Matters: A History of Sexuality in America (1989)Intimate Matters: A History o…Her Body, Himself: Gender in the Slasher Film (1987)Her Body, Himself: Gender in …Narrative, Apparatus, Ideology: A Film Theory Reader (1986)Narrative, Apparatus, Ideolog…Hitchcock’S Films Revisited (1960)Hitchcock’S Films RevisitedMoving viewers: American film and the spectator's experience (2009)A philosophy of cinematic art (2010)The Apartment Plot (2010)Fear in the News: A Discourse of Control (1999)Beyond the Rhetoric of Student Voice: new departures or new constraints in the transformation of 21st century schooling? (2001)Media and Violence: Gendering the Debates (2005)TARGET ARTICLE: Singles in Society and in Science (2005)Sex similarities and differences in preferences for short-term mates: What, whether, and why. (2006)A Sociology of Quantification (2008)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)Decentering Discourses in Teacher Education: Or, The Unleashing of Unpopular Things (1991)Feminist and Gender Media Studies: A Critical Overview (2008)Disability, Literature, Genre (2019)"Have You Ever Seen the Inside of One of Those Places?": Psycho, Foucault, and the Postwar Context of Madness (2006)Hitchcock and the Postmodern (2011)Remastering the Master: Hitchcock after Feminism (2016)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Stories of the Undead in the Land of the Unburied: Magical Historicism in Contemporary Russian Fiction (2009)Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer (2012)Listening to the Speaking Wound (2013)
this work references cited by second hop

References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 1986Narrative, Apparatus, Ideology: A Film Theory Reader567 cited
  • 1960Hitchcock’S Films Revisited349 cited
  • 1989Intimate Matters: A History of Sexuality in America288 cited
  • 2006Shocking representation: historical trauma, national cinema, and the modern horror film167 cited
  • 1987Her Body, Himself: Gender in the Slasher Film93 cited
  • 2004Hitchcock: Past and Future34 cited

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