Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata

Abstract

1. Contexts 2. Sonata Form as a Whole: Foundational Considerations 3. The Medial Caesura and the Two-Part Exposition 4. The Continuous Exposition 5. The Primary Theme 6. The Transition (TR) 7. The Secondary Theme (S) and Essential Expositional Closure: Initial Considerations 8. S-Complications: EEC Deferral and Apparent Double Medial Caesuras (TMB) 9. The Closing Zone (C) 10. The Development (Developmental Space) 11. The Recapitulation (Recapitulatory Space Recapitulatory Rotation) 12. Non-Normative Openings of the Recapitulatory Rotation: Alternatives and Deformations 13. Parageneric Spaces: Coda and Introduction 14. Sonata Form in Minor Keys 15. The Three- and Four-Movement Sonata Cycle 16. Sonata Types and the Type 1 Sonata 17. The Type 2 Sonata 18. Rondos and the Type 4 Sonata 19. The Type 5 Sonata: Fundamentals 20. The Type 5 Sonata: Mozart's Concertos (R1: The Opening Ritornello) 21. The Type 5 Sonata: Mozart's Concertos (Solo and Larger Expositions: Solo 1 + Ritornello 2) 22. The Type 5 Sonata: Mozart's Concertos (Development and Recapitulation: From Solo 2 through Ritornello 4) Appendix 1. Some Grounding Principles of Sonata Theory Appendix 2. Terminology: Rotation and Deformation