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Cited by

• 2011Bastardised whiteness: ‘zef’-culture,Die Antwoordand the reconfiguration of contemporary Afrikaans identities26 cited
• 2011National melancholia and Afrikaner self-parody in post-apartheid South Africa24 cited
• 2018Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy21 cited
• 2012Die Antwoord and a delegitimised South African whiteness: a potential counter-narrative?16 cited
• 2009Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 200615 cited
• 2013On Music, Censorship, and Globalization4 cited
• 2012Locating Generation X: Taste and Identity in Transitional South Africa4 cited
• 2010The Gendered Sound of South Africa: Karen Zoid and the Performance of Nationalism in the New South Africa3 cited
• 2009Die opkoms van Afrikaanse rock en die literêre status van lirieke, met spesifieke verwysing na Fokofpolisiekar3 cited
• 2015Afrikaners is Plesierig!VoëlvryMusic, Anti-apartheid Identities and Rockey Street Nightclubs in Yeoville (Johannesburg), 1980s–90s2 cited