SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Canadian Women Composers in Modernist Terrain: Violet Archer, Jean Coulthard and Barbara Pentland
13 references·0 citing·31 second hop
Canadian Women Composers in Modernist Terrain: Violet Archer, Jean Coulthard and Barbara Pentland (2009)Canadian Women Composers in Modernist Ter…Concerto for Piano and Orchestra (2014)Concerto for Piano and Orches…Art History after Modernism (2003)Art History after ModernismSchoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type” (2001)Schoenberg, Boulez, and Twelv…Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956 (2000)Negotiating Cultural Allies: …The League of Composers: The Initial Years (1997)The League of Composers: The …Frederick Stock and American Music (1992)Frederick Stock and American …Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years (1983)Museum Pieces: The Historicis…"New Music for New Ears": The International Composers' Guild (1983)"New Music for New Ears": The…Writings on music (1981)Writings on musicConversation with Aaron Copland (1968)Conversation with Aaron Copla…TWENTY-FIVE YEARS WITH THE LEAGUE OF COMPOSERS (1948)TWENTY-FIVE YEARS WITH THE LE…Our Contemporary Composers: American Music in the Twentieth Century (1942)Our Contemporary Composers: A…Sonata for piano (1921)Sonata for pianoA History of Western Music (1960)Die Musik in Geschichte und Gegenwart (1989)Dismantling a Dystopia: On the Historiography of Music in the Third Reich (2007)The Buttons on Pandora’s Box: David Tudor and the Bandoneon (2012)Opera After the Zero Hour (2019)The Anxiety of Influence: A Theory of Poetry (1974)Philosophy of Modern Music (1976)Classical Music as Popular Music (1984)Brian Eno: his music and the vertical color of sound (1990)Disability and “Late Style” in Music (2008)Shorter Oxford English dictionary on historical principles (2008)The younger generation (1967)Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959) (2010)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Carlos Chávez’s Polysemic Style: (2015)Merce Cunningham and John Cage: Choreographic cross-currents (1999)John Cage and Recorded Sound: A Discographical Essay (2010)"Not Music Yet": Graphic Notation as a Catalyst for Collaborative Metamorphosis (2014)William Dawson, "The New Negro," and His Folk Idiom (1999)The Lyric Suite and Berg's Twelve-Tone Duality (2008)Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections (2011)Providing the Taste of Learning: Nadia Boulanger’s Lasting Imprint on Canadian Music (2015)Music in the Age of Anxiety: American Music in the Fifties (2016)Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)The Invention of Latin American Music (2020)Weber's Freischütz: Conceptions and Misconceptions (1983)György Ligeti and the Aka Pygmies Project (2006)Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde (2012)Artisans, Artists and Hegel's History of Art (2013)Experiencing the end and afterlives of International Relations/theory (2013)Hegel, the End of History, and the Future (2014)
this work references cited by second hop

References

  • 2000Negotiating Cultural Allies: American Music in Darmstadt, 1946-195672 cited
  • 2003Art History after Modernism61 cited
  • 1983Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years60 cited
  • 1983"New Music for New Ears": The International Composers' Guild55 cited
  • 1997The League of Composers: The Initial Years52 cited
  • 1981Writings on music34 cited
  • 1968Conversation with Aaron Copland15 cited
  • 2001Schoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type”13 cited
  • 2014Concerto for Piano and Orchestra12 cited
  • 1942Our Contemporary Composers: American Music in the Twentieth Century9 cited
  • 1948TWENTY-FIVE YEARS WITH THE LEAGUE OF COMPOSERS5 cited
  • 1992Frederick Stock and American Music5 cited
  • 1921Sonata for piano3 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work