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World music : the rough guide
0 references·16 citing·54 second hop
World music : the rough guide (1999)World music : the rough guideWriting about Popular Music (2019)Writing about Popular MusicThe Cambridge History of Music Criticism (2019)The Cambridge History of Musi…ON MUSICAL COSMOPOLITANISM (2007)ON MUSICAL COSMOPOLITANISMI'd like to Teach the World to Sing: Music and Conflict Transformation (2007)I'd like to Teach the World t…Hybridity and the rise of Korean popular culture in Asia (2005)Hybridity and the rise of Kor…Kwaitoversus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–99 (2004)Kwaitoversus Crossed-over: Mu…Playing with Identities in Contemporary Music in Africa (2003)Playing with Identities in Co…Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet (2002)Popular Music in Indonesia si…World Music Does Not Exist (2001)World Music Does Not ExistSom e música. Questões de uma antropologia sonora (2001)Som e música. 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  • 2005Hybridity and the rise of Korean popular culture in Asia557 cited
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  • 2007I'd like to Teach the World to Sing: Music and Conflict Transformation75 cited
  • 2000Rock Music in American Schools: Positions and Practices Since the 1960s60 cited
  • 2002Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet55 cited
  • 2019Writing about Popular Music53 cited
  • 1999The Yiddish Are Coming:42 cited
  • 2001World Music Does Not Exist40 cited
  • 1999Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong36 cited
  • 2003Playing with Identities in Contemporary Music in Africa36 cited
  • 2004Kwaitoversus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–99

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34 cited
  • 2000Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music34 cited