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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2000Islamic art and architecture52 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2019Music in the Early Colonial World24 cited
• 2023How the Grateful Dead Learned to Jam22 cited
• 2019Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production21 cited
• 2019‘More powerful than politics’: Affective magic in the DIY musical activism after Egypt's 2011 Revolution16 cited
• 2011Music Makes You Smarter: A New Paradigm for Music Education? Perceptions and Perspectives from Four Groups of Elementary Education Stakeholders.16 cited
• 1997An Attempt at a Synthetic Paradigm12 cited
• 2003A Re-Valuation of the Ancient Science of Harmonics11 cited
• 2012The performer and the composer10 cited
• 1999The Lambdoma matrix and harmonic intervals10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century