Dead Beautiful: Visualizing the Decaying Corpse in Nine Stages as Skillful Means of Buddhism

Ikumi Kaminishi

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Indian and Buddhist Studies Japanese History and Culture Visual Culture and Art Theory

Abstract

This chapter contains sections titled: Introduction: Paintings as Upaya kaushalya Literary Background and the Meaning of the Decaying Corpse Images Sirima's Story: Why a Woman's Body? Substitution of Real Bodies with Images Pure Land and Nine-Stage Contemplation Images Komachi's Images Color vs. Emptiness Conclusion References

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1995The Middle length discourses of the Buddha: a new translation of the Majjhima Nikaya 1992Buddhism, sexuality, and gender 2004The Power of Denial: Buddhism, Purity, and Gender 2003Engendering faith: women and Buddhism in premodern Japan 1997Charming cadavers: horrific figurations of the feminine in Indian Buddhist hagiographic literature 1994Black Hair and Red Trousers: Gendering the Flesh in Medieval Japan 1993Buddhism after patriarchy: a feminist history, analysis, and reconstruction of Buddhism 1993The Buddhist Mythmaking of Defilement: Sacred Courtesans in Medieval Japan

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