The Recording Angel: Music, Records and Culture from Aristotle to Zappa

Evan Eisenberg

286 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Sound Studies and Aurality

Abstract

First published in 1987 and now considered a classic, The Recording Angel charts the ways in which the phonograph and its cousins have transformed our culture. In a new Afterword, Evan Eisenberg shows how digital technology, file trading, and other recent developments are accelerating--or reversing--these trends. Influential and provocative, The Recording Angel is required reading for anyone who cares about the effect recording has had--and will have--on our experience of music.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 286 citations exist upstream.

Cited by

2010Deadness: Technologies of the Intermundane 2011The Oxford Handbook of The American Musical 2007The cultural and creative industries: a review of the literature 2018From creator to data: the post-record music industry and the digital conglomerates 2015The Cambridge Companion to Hip-Hop 2015The musical analysis of hip-hop 2015Lyrics and flow in rap music 2012Vocal performance in the seventeenth century

Imported from OpenAlex (CC0) — nothing here is generated.