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Cited by

• 2004"Unkind Division": The Double Absence of Performing History in 1 Henry VI36 cited
• 1990Aristotelian Mimesis Reevaluated31 cited
• 2010Mock-epic poetry from Pope to Heine25 cited
• 2000Reintegrating Sensibility: Situated Knowledges and Embodied Readers19 cited
• 2018The Sound Sense of Poetry14 cited
• 2010George Herbert's Sweet Devotion7 cited
• 1991AGAINST THE GRAIN: REPRESENTING THE MARKET INCORIOLANUS6 cited
• 2005Vision, Metamorphosis, and the Poetics of Allegory in the Mutabilitie Cantos6 cited
• 2008The End of the English History Play in Perkin Warbeck5 cited
• 2000Betwixt Two Ages Cast: Milton, Johnson, and the English Renaissance5 cited
• 2002Class, Gender and Community in Thomas Dekker's The Shoemaker's Holiday and Lope de Vega's Fuente Ovejuna4 cited
• 2009The Negative Erotics of Medievalism4 cited
• 2005Looking at Britomart Looking at Pictures3 cited
• 1993‘What art thou faustus?’ Self‐reference and strategies of identification in Marlowe'sdoctor Faustus3 cited
• 2013Marlowe and the critics2 cited