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Cited by

• 2016What is a global field? Theorizing fields beyond the nation-state132 cited
• 2013GLOBALIZATION OF MARKETS FOR CONTEMPORARY ART43 cited
• 2017Local contexts as activation mechanisms of market development: contemporary art in emerging markets37 cited
• 2011Biennalization and its discontents30 cited
• 2014Contemporary Asian Art and Exhibitions27 cited
• 2018The rise of Africa in the contemporary auction market: Myth or reality?24 cited
• 2017Measurement and interpretation of ‘global cultural cities’ in a world of cities20 cited
• 2010The practice and politics of hybrid soundscapes inMuziki wa Injiliin Dar es Salaam, Tanzania14 cited
• 2020Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market9 cited
• 2012Financial artscapes: Damien Hirst, crisis and the City of London8 cited
• 2014Luanda Lab – Nostalgia and Utopia in Aesthetic Practice8 cited
• 2018Power, capital, and artistic freedom: contemporary Chinese art communities and the city6 cited
• 2022Institutional policies and individual decision-making in artistic migrations: the case of Spanish artists and art mediators in the European Union4 cited
• 2010Art to Collect Art: Acquisition Policies of Museums of Modern Art from 1980s to the Present