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‘The Epidermis of Reality’: Artaud, the Material Body and Dreyer'sThe Passion of Joan of Arc
14 references·0 citing·27 second hop
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this work references cited by second hop

References

  • 2000The skin of the film: intercultural cinema, embodiment, and the senses1,527 cited
  • 1986Cinema I1,503 cited
  • 2000The Skin of the Film1,317 cited
  • 1988Cinema 1: The Movement Image376 cited
  • 1993The cinematic body303 cited
  • 1985French Cinema: The First Wave, 1915-1929233 cited
  • 1988The Freudian Subject233 cited
  • 2007Cinema and Sensation198 cited
  • 1980Under the Sign of Saturn155 cited
  • 2007Cinema and Sensation100 cited
  • 2010Artaud and His Doubles57 cited
  • 1981The films of Carl-Theodor Dreyer54 cited
  • 2001From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema52 cited
  • 1996Rethinking National Cinema: Dreyer's "La Passion de Jeanne d'Arc" and the Academic Aesthetic9 cited

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