SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
What Bird Is That? Identifying a Probable Painting of Genyornis newtoni in Western Arnhem Land
1 references·16 citing·48 second hop
What Bird Is That? Identifying a Probable Painting of Genyornis newtoni in Western Arnhem Land (2011)What Bird Is That? Identifying a Probable…From rainbow snakes to 'X-Ray' fish : the nature of the recent rock painting tradition of Western Arnhem Land, Australia (1989)From rainbow snakes to 'X-Ray…What Were Rock Art Sites Like in the Past? Reconstructing the Shapes of Sites as Cultural Settings (2024)What Were Rock Art Sites Like…The Sydney School and the genesis of contemporary Australian rock art research (2022)The Sydney School and the gen…Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? (2020)Hidden Sites, Hidden Images, …The Animacy of Rocks (2019)The Animacy of RocksBirds on the Rocks (2019)Birds on the RocksBirds in the Bronze Age: A North European Perspective (2019)Birds in the Bronze Age: A No…Birds in the Bronze Age (2019)Birds in the Bronze AgeThe identification of extinct megafauna in rock art using geometric morphometrics: A Genyornis newtoni painting in Arnhem Land, northern Australia? (2017)The identification of extinct…That bird is not Genyornis (2016)That bird is not GenyornisRock art and social networks among hunter gatherers of north-central Chile (2016)Rock art and social networks …Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia (2016)Geochemical analysis of the p…Rock Art (2013)Rock ArtMyths About Rock Art (2013)Myths About Rock ArtMEGAFAUNA DEPICTIONS IN AUSTRALIAN ROCK ART (2013)MEGAFAUNA DEPICTIONS IN AUSTR…Interpretation of Australian Rock Art (2013)Interpretation of Australian …Iconic imagery: Pleistocene rock art development across northern Australia (2011)Iconic imagery: Pleistocene r…The Native Tribes of Central Australia (1899)Aboriginal Man and Environment in Australia. (1972)Pleistocene Extinction of Genyornis newtoni : Human Impact on Australian Megafauna (1999)The potential for discovery of new submerged archaeological sites near the Dampier Archipelago, Western Australia (2013)Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments (2016)Beyond the Barriers (2022)Shamanism: Archaic Techniques of Ecstasy (1951)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The mind in the cave: consciousness and the origins of art (2003)How Do We Explain ‛Autistic Traits’ in European Upper Palaeolithic Art? (2018)Rediscovered Mesolithic Rock Art Collection from Kamyana Mohyla Complex in Eastern Ukraine (2022)A PURPORTED PLEISTOCENE SAND SCULPTURE FROM SOUTH AFRICA (2024)The demon-haunted world: science as a candle in the dark (1996)Mode 3 Technologies and the Evolution of Modern Humans (1997)New Ages for the Last Australian Megafauna: Continent-Wide Extinction About 46,000 Years Ago (2001)Pleistocene Palaeoart of Asia (2013)Art and megafauna in the Top End of the Northern Territory, Australia: Illusion or reality? (2017)A Phenomenology of Landscape: Places, Paths and Monuments (1994)Social networks and information: Non-“utilitarian” mobility among hunter-gatherers (2006)The complex structure of hunter–gatherer social networks (2007)Rock art painting and territoriality in the precordillera of northernmost Chile (South-Central Andes). Archeological and spatial approaches to the Naturalistic Tradition (2017)Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa (2020)From RGB camera to hyperspectral imaging: a breakthrough in Neolithic rock painting analysis (2023)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Ash Bones and Guano: a Study of the Minerals and Phytoliths in the Sediments of Grotte XVI, Dordogne, France (2002)Analysis of rock art painting and technology of Palaeolithic painters (2003)First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects (2019)The archaeometry of ochre sensu lato: A review (2021)Les subdivisions du paléolithique supérieur et leur signification. (1913)Climate change frames debate over the extinction of megafauna in Sahul (Pleistocene Australia-New Guinea) (2013)Pleistocene cave art from Sulawesi, Indonesia (2014)Beneath the Top End: A regional assessment of submerged archaeological potential in the Northern Territory, Australia (2021)Animal tracks and human footprints in prehistoric hunter-gatherer rock art of the Doro! nawas mountains (Namibia), analysed by present-day indigenous tracking experts (2023)The cultural biography of things: commoditization as process (1986)Cosmological Deixis and Amerindian Perspectivism (1998)The gift in the animal: The ontology of hunting and human–animal sociality (2007)Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australian Society (1973)Ancestral Connections: Art and an Aboriginal System of Knowledge. (1995)An archaeology of natural places (2000)Petroglyphs and place: complex histories at four sites in New Britain (2021)A changing perspective: the impact of landscape evolution on rock art viewsheds (2023)Space Analysis in Palaeolithic Cave Art: Towards a Multidisciplinary and Integrated Approach (2024)Meeting the Universe Halfway (2007)Vibrant Matter (2010)On the Fringe: Sheepdogs and Their Status Within Bronze Age Ontologies in Scandinavia (2020)Regionalism in the recent rock art of western Arnhem Land, Northern Territory (1993)Arnhem Land prehistory in landscape, stone and paint (1995)Rainbow Colour and Power among the Waanyi of Northwest Queensland (2008)
this work references cited by second hop

References

  • 1989From rainbow snakes to 'X-Ray' fish : the nature of the recent rock painting tradition of Western Arnhem Land, Australia64 cited

Cited by

  • 2011Iconic imagery: Pleistocene rock art development across northern Australia43 cited
  • 2016Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia28 cited
  • 2019Birds in the Bronze Age26 cited
  • 2016Rock art and social networks among hunter gatherers of north-central Chile19 cited
  • 2013MEGAFAUNA DEPICTIONS IN AUSTRALIAN ROCK ART16 cited
  • 2017The identification of extinct megafauna in rock art using geometric morphometrics: A Genyornis newtoni painting in Arnhem Land, northern Australia?15 cited
  • 2019Birds in the Bronze Age: A North European Perspective15 cited
  • 2013Myths About Rock Art13 cited
  • 2020Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access?13 cited
  • 2022The Sydney School and the genesis of contemporary Australian rock art research3 cited
  • 2024What Were Rock Art Sites Like in the Past? Reconstructing the Shapes of Sites as Cultural Settings3 cited
  • 2013Rock Art2 cited
  • 2013Interpretation of Australian Rock Art1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2016That bird is not Genyornis0 cited
  • 2019The Animacy of Rocks0 cited
  • 2019Birds on the Rocks0 cited