Music in European Thought 1851-1912

Abstract

Part I. German aesthetics of music in the second half of the nineteenth century: 1. Music as an autonomous being 2. Music as an expressive force 3. The eclectic tendency Part II. Aesthetics of music in France and England: 4. General works 5. The Impact of Wagner 6. England Part III. Music and positivist thought: 7. Psychology of music and the theory of empathy 8. Theories and speculation about the origin of music Part IV. Bridge between music theory and philosophy and the beginnings of musicology as an independent discipline: Part V. New tendencies at the turn of the century: 9. Historical understanding 10. Criticism of the theory of empathy 11. The past and the future of music.

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