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Shaw's Music: The Complete Musical Criticism in Three Volumes
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Shaw's Music: The Complete Musical Criticism in Three Volumes (1981)Shaw's Music: The Complete Musical Critic…Cultural stereotypes and the reception of Verdi’s operas in Victorian London (2021)Cultural stereotypes and the …The Cambridge Encyclopedia of Brass Instruments (2018)The Cambridge Encyclopedia of…The Recordings of Joachim, YsaŸe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics (2017)The Recordings of Joachim, Ys…Commercial Sound Recordings and Trends in Expressive Music Performance (2014)Commercial Sound Recordings a…Layers of representation in nineteenth-century genres: the case of one Brahmsballade (2013)Layers of representation in n…Stage-Irish, or the National in Irish Opera, 1780-1925 (2005)Stage-Irish, or the National …Henry Wood, the ?Proms,? and National Identity in Music, 1895-1904 (2005)Henry Wood, the ?Proms,? and …Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society (2004)Purcell's operas on Craig's s…Foundations of Music History (1983)Die Musik in Geschichte und Gegenwart (1989)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Delius and the Sound of Place (2018)The New Grove dictionary of opera (1993)The New Grove dictionary of music and musicians (2001)Charles Villiers Stanford: man and musician (2003)Ireland, Enlightenment and the English Stage, 1740-1820 (2019)Gordon Craig on Movement and Dance (1979)The theatre of Edward Gordon Craig (1981)The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology (1993)The Fall of Public Man (1977)The Fall of Public Man (1987)The Mid-Victorian Generation (1998)Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 (2010)Musical Form and Musical Performance (1969)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Capturing sound: how technology has changed music (2005)Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1 (2021)Listening through Reading: Musical Literacy and the Concert Audience (1992)Text and act: essays on music and performance (1996)A BaroqueTräumerei: The Performance and Perception of two Violin Renditions (2010)Expressiveness in Historical Perspective (2014)Fashionable acts: opera and elite culture in London, 1780-1880 (2008)Thirty Years' Musical Recollections (2009)The English Musical Renaissance and the Press 1850–1914: Watchmen of Music (2017)Dizionario biografico degli italiani (1960)Classic Music: Expression, Form, and Style (1981)Feminine Endings: Music, Gender, and Sexuality (1992)
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  • 2005Stage-Irish, or the National in Irish Opera, 1780-192518 cited
  • 2013Layers of representation in nineteenth-century genres: the case of one Brahmsballade14 cited
  • 2017The Recordings of Joachim, YsaŸe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics9 cited
  • 2014Commercial Sound Recordings and Trends in Expressive Music Performance6 cited
  • 2018The Cambridge Encyclopedia of Brass Instruments5 cited
  • 2004Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society4 cited
  • 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited
  • 2021Cultural stereotypes and the reception of Verdi’s operas in Victorian London2 cited

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