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Restoration of Motion Picture Film
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  • 2011From Grain to Pixel88 cited
  • 2009‘Unnatural Colours’: An introduction to colouring techniques in silent era movies61 cited
  • 2006Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration30 cited
  • 2017“The Gaze Heuristic:” Biography of an Adaptively Rational Decision Process25 cited
  • 2007Criteria for the Use of Digital Technology in Moving Image Restoration21 cited
  • 2009Colours, audiences, and (dis)continuity in the ‘cinema of the second period’18 cited
  • 2017Film Museum Practice and Film Historiography17 cited
  • 2015On the Restoration History of Colored Silent Films in Germany: An Interview with Martin Koerber14 cited
  • 2015Big Data Remote Access Interfaces for Light Source Science14 cited
  • 2008"Born Digital"—Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm12 cited
  • 2009Symptoms of desire: colour, costume, and commodities in fashion newsreels of the 1910s and 1920s11 cited
  • 2024Exploring the Effectiveness of Time-lapse Screen Recording for Self-Reflection in Work Context11 cited
  • 2013The temporalities of intermediality: Colour in cinema and the arts of the 1920s7 cited
  • 2010The Conservation of Moving Images

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6 cited
  • 2008Introduction to Bio-Fiction Classification Theory: Remix Methodologies and the Archivist6 cited
  • 2006The Finesse of the Film Lab: A Report from a Week at Haghefilm6 cited