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International trade in films and television programs
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International trade in films and television programs (1989)International trade in films and televisi…Are global over-the-top platforms the destroyers of ecosystems or the catalysts of innovation? (2021)Are global over-the-top platf…Entertainment Industry Economics (2020)Entertainment Industry Econom…Economics of motion pictures: the state of the art (2014)Economics of motion pictures:…National Self-Sufficiency in Broadcast Television Programming: Examining the Airtime Shares of Homemade versus U.S.-Made Programs (2013)National Self-Sufficiency in …Cultural Products in the International Trading System (2013)Cultural Products in the Inte…The Changing Role of Hollywood in the Global Movie Market (2012)The Changing Role of Hollywoo…Remembering Video (2012)Remembering VideoExplaining Global Box-Office Tastes in Hollywood Films: Homogenization of National Audiences’ Movie Selections (2010)Explaining Global Box-Office …Homogenization and Specialization Effects of International Trade: Are Cultural Goods Exceptional? (2009)Homogenization and Specializa…Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office (2009)Cultural discount of cinemati…The Case for Audience Isolation: Language and Culture as Predictors of Advertiser Investment (2008)The Case for Audience Isolati…Hollywood movies in East Asia: examining cultural discount and performance predictability at the box office (2008)Hollywood movies in East Asia…Economic and Cultural Influences on the Theatrical Consumption of Foreign Films in Singapore (2008)Economic and Cultural Influen…Determinants of U.S. television fiction imports in Western Europe (1998)Determinants of U.S. televisi…Trends in global communication policy‐making: Lessons from the Asian case∗ (1993)Trends in global communicatio…Income Inequality Effects by Income Source: A New Approach and Applications to the United States (1985)Information, Blockbusters and Stars? A Study of the Film Industry (1997)Demand and Supply Dynamics for Sequentially Released Products in International Markets: The Case of Motion Pictures (2003)Panel data and unobservable individual effects (1981)The economic institutions of capitalism firms, markets, relational contracting (1985)The Economic Institutions of Capitalism. Firms, Markets, Relational Contracting (2007)Debates and assumptions about motion picture performance: a meta-analysis (2017)The economics of movies (revisited): A survey of recent literature (2022)Absorptive Capacity: A New Perspective on Learning and Innovation (1990)Scale Economies, Product Differentiation, and the Pattern of Trade (1990)Diffusion of Innovations (2012)The role of cultural and creative services in the evaluation of the world urban system (2018)Culture's Consequences: International Differences in Work-Related Values (1981)Culture's Consequences: International Differences in Work-Related Values. (1983)Culture's Consequences: Comparing Values, Behaviors, Institutions, and Organizations across Nations (2002)Mass Communication and Society. (1978)Reasons for the US dominance of the international trade in television programmes (1988)Beyond media imperialism: Assymetrical interdependence and cultural proximity (1991)Film Critics: Influencers or Predictors? (1997)Advances in Consumer Research (2025)The consequences of modernity (1990)Making Comics as Artisans: Comic Book Production in Colombia (2016)Efficiency Estimation from Cobb-Douglas Production Functions with Composed Error (1977)Formulation and estimation of stochastic frontier production function models (1977)Platform Competition in Two-Sided Markets (2003)A theory of human motivation. (1943)A Theory of the Allocation of Time (1965)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)Integrating Functional Knowledge and Embedding Learning in New Product Launches (2008)Improving productivity in Hollywood with data science: Using emotional arcs of movies to drive product and service innovation in entertainment industries (2020)Trading Cultural Goods in the Era of Digital Piracy (2009)
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  • 2020Entertainment Industry Economics88 cited
  • 2008Hollywood movies in East Asia: examining cultural discount and performance predictability at the box office82 cited
  • 2009Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office71 cited
  • 2014Economics of motion pictures: the state of the art69 cited
  • 2008Economic and Cultural Influences on the Theatrical Consumption of Foreign Films in Singapore69 cited
  • 2010Explaining Global Box-Office Tastes in Hollywood Films: Homogenization of National Audiences’ Movie Selections66 cited
  • 2012The Changing Role of Hollywood in the Global Movie Market63 cited
  • 1998Determinants of U.S. television fiction imports in Western Europe59 cited
  • 2021Are global over-the-top platforms the destroyers of ecosystems or the catalysts of innovation?33 cited
  • 2009Homogenization and Specialization Effects of International Trade: Are Cultural Goods Exceptional?18 cited
  • 2013Cultural Products in the International Trading System10 cited
  • 1993Trends in global communication policy‐making: Lessons from the Asian case∗9 cited
  • 2012Remembering Video9 cited
  • 2008The Case for Audience Isolation: Language and Culture as Predictors of Advertiser Investment

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9 cited
  • 2013National Self-Sufficiency in Broadcast Television Programming: Examining the Airtime Shares of Homemade versus U.S.-Made Programs5 cited