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Empirical Evidence of a Decline in Repertory Diversity among American Opera Companies 1991/92 to 1997/98
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this work references cited by second hop

References

  • 2001The Economics of Art and Culture378 cited
  • 2019Economics of the Performing Arts193 cited
  • 2007The Concise Oxford Dictionary of Music142 cited

Cited by

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  • 2010Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959)55 cited
  • 2005State Subsidies and Repertoire Conventionality in the Non-Profit English Theatre Sector: An Econometric Analysis50 cited
  • 2022Tradition as a resource: Robust and radical interpretations of operatic tradition in the Italian opera industry, 1989–201141 cited
  • 2003Entrepreneurship or Cultural Darwinism? Privatization and American Cultural Patronage39 cited
  • 2013Great,Madama ButterflyAgain! How Robust Market Identity Shapes Opera Repertoires39 cited
  • 2011Factors that influence programming decisions of US symphony orchestras23 cited
  • 2011How Product Order Affects Market Identity: Repertoire Ordering in the U.S. Opera Market23 cited
  • 2006Public funding and repertoire conventionality in the German public theatre sector: an econometric analysis22 cited
  • 2010The Economy of Music Programs and Organizations. A Micro Analysis and Typology19 cited
  • 2013Cultural Innovation by Cultural Organizations

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17 cited
  • 2008Budgetary constraints and programmatic choices by Flemish subsidized theatres16 cited
  • 2018Measuring emotion through quality: evaluating the musical repertoires of Spanish symphony orchestras14 cited
  • 2008The Border Conflict between the Present and the Past: Programming Classical Music and Opera14 cited
  • 2013Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices14 cited
  • 2007The Sociology of Music13 cited