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Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
16 references·0 citing·29 second hop
Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau (2010)Music Smashed to Pieces: The Destructive …An essay on musical expression (2013)An essay on musical expressionForm, Program, and Metaphor in the Music of Berlioz (2009)Form, Program, and Metaphor i…The musical representation: meaning, ontology, and emotion (2008)The musical representation: m…The Cambridge Handbook of Metaphor and Thought (2008)The Cambridge Handbook of Met…Metaphor and music (2008)Metaphor and musicMimomania: music and gesture in nineteenth-century opera (2004)Mimomania: music and gesture …Beyond Structural Listening?Postmodern Modes of Hearing (2004)Beyond Structural Listening?P…Metaphors We Live By (2003)Metaphors We Live ByMusical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Fantasy pieces: metrical diss…Deconstructive Variations: Music and Reason in Western Society (1998)Deconstructive Variations: Mu…A history of Western musical aesthetics (1993)A history of Western musical …Narrative archetypes and Mahler's Ninth Symphony (1992)Narrative archetypes and Mahl…The Body in the Mind (1987)The Body in the MindOnce More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…Poétique de la prose (1971)Poétique de la proseThe Cambridge History of Literary Criticism (1997)The End of Early Music (2007)The orchestral revolution: Haydn and the technologies of timbre (2013)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event (2006)The End(s) of Genre (2013)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Poetry and the Romantic Musical Aesthetic (2008)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Virtuosity and the Musical Work (2003)Stories of Experience and Narrative Inquiry (1990)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Empathy: Its ultimate and proximate bases (2002)Qualitative Analysis for Social Scientists (1987)The contemporary theory of metaphor (1993)A Dynamic Theory of Organizational Knowledge Creation (1994)A metaphor-enriched social cognition. (2010)The Simulation of Smiles (SIMS) model: Embodied simulation and the meaning of facial expression (2010)Evaluating Conceptual Metaphor Theory (2011)Beat-Class Modulation in Steve Reich's Music (2003)An Empirical Study of Syncopation in American Popular Music, 1890?1939 (2006)Action and Agency Revisited (2013)Sound and Circulation: Immobility and Obduracy in South African Electronic Music (2015)Just Vibrations (2016)Popular music reaction videos: Reactivity, creator labor, and the performance of listening online (2020)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Enacting Musical Time (2019)
this work references cited by second hop

References

  • 2003Metaphors We Live By25,220 cited
  • 1987The Body in the Mind6,478 cited
  • 2008The Cambridge Handbook of Metaphor and Thought1,069 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 2000Fantasy pieces: metrical dissonance in the music of Robert Schumann255 cited
  • 1998Deconstructive Variations: Music and Reason in Western Society202 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 2013An essay on musical expression197 cited
  • 2004Beyond Structural Listening?Postmodern Modes of Hearing145 cited
  • 1993A history of Western musical aesthetics140 cited
  • 2008Metaphor and music107 cited
  • 2008The musical representation: meaning, ontology, and emotion98 cited
  • 1971Poétique de la prose93 cited
  • 2004Mimomania: music and gesture in nineteenth-century opera85 cited
  • 2009Form, Program, and Metaphor in the Music of Berlioz83 cited
  • 1992Narrative archetypes and Mahler's Ninth Symphony45 cited

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