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Broken Boundaries: Women and Feminism in Restoration Drama
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Broken Boundaries: Women and Feminism in Restoration Drama (2015)Broken Boundaries: Women and Feminism in …The Cambridge Companion to Women's Writing in Britain, 1660–1789 (2015)The Cambridge Companion to Wo…Women in breeches and modes of masculinity in Restoration comedy (2012)Women in breeches and modes o…Women and Shakespeare in the Restoration and Eighteenth Century (2008)Women and Shakespeare in the …A Literary History of Women's Writing in Britain, 1660–1789 (2006)A Literary History of Women's…Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747 (2005)Outside the Box: The Female S…Theatre companies and regulation (2004)Theatre companies and regulat…Theatre and mid-Victorian society, 1851–1870 (2004)Theatre and mid-Victorian soc…The theatrical revolution, 1776–1843 (2004)The theatrical revolution, 17…The Cambridge History of British Theatre (2004)The Cambridge History of Brit…Popular entertainment, 1776–1895 (2004)Popular entertainment, 1776–1…Introduction: the theatre from 1660 to 1800 (2004)Introduction: the theatre fro…Gendering Victorian theatre (2004)Gendering Victorian theatre"A sceane of uttmost vanity": The Spectacle of Gambling in Late Stuart Culture (2002)"A sceane of uttmost vanity":…The Restoration Actress (2001)The Restoration ActressMasks and Faces: Female Legibility in the Restoration Era (2000)Masks and Faces: Female Legib…The Rise of the Woman Novelist: From Aphra Behn to Jane Austen (1986)Strange fits of passion: epistemologies of emotion, Hume to Austen (1997)Licensing entertainment: the elevation of novel reading in Britain, 1684-1750 (1999)The Seduction Narrative in Britain, 1747–1800 (2009)Critics and Criticism in the Poetry of Anne Finch (2011)Producing Women's Poetry, 1600-1730: Text and Paratext, Manuscript and Print (2013)The complete works of William Hazlitt (1930)Visual Pleasure and Narrative Cinema (1975)The Melodramatic Imagination (1984)Theater and Nation in Irish Romanticism: The Tragic Dramas of Charles Robert Maturin and Richard Lalor Sheil (2006)Domestic Melodrama (2018)Gothic Melodrama (2018)Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (1987)Reflections on Gender and Science (1987)Gender Trouble: Feminism and the Subversion of Identity (1991)A Short View of the Immorality and Profaneness of the English Stage. (1971)Playgoing in Shakespeare's London. (1988)Sexual Suspects: Eighteenth-Century Players and Sexual Ideology (1992)The Bluestocking Circle (1990)Shakespearean Constitutions: Politics, Theatre, Criticism 1730-1830 (1991)The making of the national poet: Shakespeare, adaptation and authorship, 1660-1769 (1993)The Family, Sex and Marriage in England 1500-1800. (1979)Masculinity as Homophobia: Fear, Shame, and Silence in the Construction of Gender Identity (1994)The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 (1958)Technologies of Gender (1987)Imperial Eyes (1900)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)The reading nation in the Romantic period (2005)
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Cited by

  • 2006A Literary History of Women's Writing in Britain, 1660–1789137 cited
  • 2004The Cambridge History of British Theatre114 cited
  • 2008Women and Shakespeare in the Restoration and Eighteenth Century29 cited
  • 2004Theatre companies and regulation19 cited
  • 2004Introduction: the theatre from 1660 to 180010 cited
  • 2012Women in breeches and modes of masculinity in Restoration comedy9 cited
  • 2004The theatrical revolution, 1776–18438 cited
  • 2015The Cambridge Companion to Women's Writing in Britain, 1660–17898 cited
  • 2000Masks and Faces: Female Legibility in the Restoration Era8 cited
  • 2005Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 17477 cited
  • 2004Theatre and mid-Victorian society, 1851–18706 cited
  • 2001The Restoration Actress6 cited
  • 2002"A sceane of uttmost vanity": The Spectacle of Gambling in Late Stuart Culture5 cited
  • 2004Gendering Victorian theatre5 cited
  • 2004Popular entertainment, 1776–18954 cited

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