The Blues and the Abstract Truth: Music and Mental Models

Mark J. Steedman

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Musicology and Musical Analysis Music Technology and Sound Studies Neuroscience and Music Perception

Abstract

The idea that there is a grammar of music is probably as old as the idea of grammar itself, and the idea that there should be formal grammars of music followed equally hard upon the Chomskean application to natural languages of the formal techniques used to analyse

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1983Mental Models 1968Linguistics and the Computer Analysis of Tonal Harmony 1989Grammar, Interpretation, and Processing from the Lexicon 1880The Grammar of Music

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2011Towards a generative syntax of tonal harmony 2018Musical Syntax I: Theoretical Perspectives 2020The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form 2014COINVENT: Towards a Computational Concept Invention Theory 2014A Robust Parser-Interpreter for Jazz Chord Sequences 2013Automatic Functional Harmonic Analysis 2015TOWARDS A SYNTAX OF THE CLASSICAL CADENCE 2011Harmonic Expectation in Twelve-Bar Blues Progressions

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