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Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster
10 references·16 citing·46 second hop
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this work references cited by second hop

References

  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2008Against Intellectual Monopoly921 cited
  • 2007The Effect of File Sharing on Record Sales: An Empirical Analysis865 cited
  • 2006Measuring the Effect of File Sharing on Music Purchases422 cited
  • 2006Piracy on the High C’s: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students392 cited
  • 2005Rockonomics: The Economics of Popular Music201 cited
  • 2010File Sharing and Copyright182 cited
  • 2004Piracy on the High C's: Music Downloading, Sales Displacement, and Social Welfare in a Sample of College Students182 cited
  • 2010Appetite for self-destruction: the spectacular crash of the record industry in the digital age156 cited
  • 2010Supply Responses to Digital Distribution: Recorded Music and Live Performances94 cited

Cited by

  • 2016Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry87 cited
  • 2012Copyright Research in the Digital Age: Moving from Piracy to the Supply of New Products86 cited
  • 2012The Effect of Graduated Response Anti-Piracy Laws on Music Sales: Evidence from an Event Study in France66 cited
  • 2012Assessing the Academic Literature Regarding the Impact of Media Piracy on Sales

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

60 cited
  • 2012Digital copying and the supply of sound recordings53 cited
  • 2015Is Europe Falling Behind in Data Mining? Copyright's Impact on Data Mining in Academic Research46 cited
  • 2016Winner does not take all: Selective attention and local bias in platform-based markets39 cited
  • 2014Indirect network effects and the quality dimension: A look at the gaming industry38 cited
  • 2019New players in the music industry: lifeboats or killer whales? the role of streaming platforms33 cited
  • 2014Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry31 cited
  • 2012Piracy and creation: the case of the music industry24 cited
  • 2015Digitization and the Quality of New Media Products: The Case of Music22 cited
  • 2011Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster22 cited
  • 2012And the Bands Played on: Digital Disintermediation and the Quality of New Recorded Music19 cited
  • 2013Digitization, Copyright, and the Flow of New Music Products18 cited
  • 2016Digital piracy debunked: a short note on digital threats and intermediary liability16 cited