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Le métre et le tāl dans la musique de l'inde du nord
10 references·1 citing·32 second hop
Le métre et le tāl dans la musique de l'inde du nord (1997)Le métre et le tāl dans la musique de l'i…African Rhythm: A Northern Ewe Perspective (1997)African Rhythm: A Northern Ew…Free Rhythm: Ethnomusicology and the Study of Music Without Metre (1996)Free Rhythm: Ethnomusicology …Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad (1994)Involving the Performers in T…African Polyphony and Polyrhythm (1991)African Polyphony and Polyrhy…The tabla of Lucknow: a cultural analysis of a musical tradition (1989)The tabla of Lucknow: a cultu…The Stratification of Musical Rhythm (1977)The Stratification of Musical…Structural Functions in Music (1977)Structural Functions in MusicA Cross-Cultural Approach to Metro-Rhythmic Patterns (1973)A Cross-Cultural Approach to …The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…The Rhythmic Structure of Music (1961)The Rhythmic Structure of Mus…The Butterfly Schema in the Classical Instrumental Style: A Product of the Tendency for Congruence (2019)The Butterfly Schema in the C…The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)The Evolution of Language (2010)What is Poetry?: Language and Memory in the Poems of the World (2015)Parent-offspring conflict and the evolution of infant-directed song (2017)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera (1999)Improvisation: methods and models (2001)INTRODUCTION Analysis, Categorization, and Theory of Musics of the World (2006)Generalized Representations of Musical Time and Periodic Structures (2011)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)Som e música. Questões de uma antropologia sonora (2001)The Cambridge Companion to Percussion (2016)Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)Art As Collective Action (1974)Music and Language (1994)Correlates of linguistic rhythm in the speech signal (1999)Timing and Meter in Mande Drumming from Mali (2014)CantoCore: A new cross-cultural song classification scheme (2020)Synchronous chorusing and the origins of music (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Fondling Breasts and Playing Guitar. Textual and Contextual Expressions of a Sociomusical Conflict in Accra (2010)Injecting the African spirit of humanity into teaching, learning and assessment of musical arts in the modern classroom (2014)Artistic Development (2015)Levels of structure in the organization of musical time (1987)Shifting the focus of attention between levels of musical structure (2002)Persistence and change: Local and global components of metre induction using Inner Metric Analysis (2008)An Overview of Hierarchical Structure in Music (1983)Assessment of rhythmic entrainment at multiple timescales in dyslexia: Evidence for disruption to syllable timing (2013)
this work references cited by second hop

References

  • 1962The Rhythmic Structure of Music521 cited
  • 1961The Rhythmic Structure of Music366 cited
  • 1977Structural Functions in Music330 cited
  • 1991African Polyphony and Polyrhythm231 cited
  • 1989The tabla of Lucknow: a cultural analysis of a musical tradition143 cited
  • 1973A Cross-Cultural Approach to Metro-Rhythmic Patterns133 cited
  • 1977The Stratification of Musical Rhythm96 cited
  • 1996Free Rhythm: Ethnomusicology and the Study of Music Without Metre79 cited
  • 1994Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad50 cited
  • 1997African Rhythm: A Northern Ewe Perspective20 cited

Cited by

  • 2019The Butterfly Schema in the Classical Instrumental Style: A Product of the Tendency for Congruence8 cited

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