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The influence of UV–Vis radiation, and oscillations of temperature and relative humidity, on malachite alteration in the presence of different organic binders and varnishes
16 references·1 citing·18 second hop
The influence of UV–Vis radiation, and oscillations of temperature and relative humidity, on malachite alteration in the presence of different organic binders and varnishes (2014)The influence of UV–Vis radiation, and os…Development and trends in synchrotron studies of ancient and historical materials (2012)Development and trends in syn…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Degradation Process of Lead C…Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh (2012)Combined use of Synchrotron R…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Degradation Process of Lead C…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Degradation Process of Lead C…New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)New Advances in the Applicati…Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Identification of Organic Col…Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Raman identification of natur…Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Analysis of natural and artif…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Blackening of Pompeian Cinnab…Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)Analytical Imaging Studies Cl…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Synthesis, structural charact…Multi-Analytical Study of Copper-Based Historic Pigments and their Alteration Products (2019)Multi-Analytical Study of Cop…Modern analytical methods in art and archaeology (2000)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Analytical chemistry in the field of cultural heritage (2015)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The Use of Metal Nanoparticles to Produce Yellow, Red and Iridescent Colour, from Bronze Age to Present Times in Lustre Pottery and Glass: Solid State Chemistry, Spectroscopy and Nanostructure (2009)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Raman spectra of natural manganese oxides (2019)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2010New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials177 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
  • 2012Development and trends in synchrotron studies of ancient and historical materials154 cited
  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts

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142 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
  • 2012Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh132 cited
  • 2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment113 cited
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    • 2019Multi-Analytical Study of Copper-Based Historic Pigments and their Alteration Products15 cited