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1. Introduction: 'In the beginning was the Word' 2. Early Modern Understanding of the Monarch as a Double Body 3. Constructing Plausible Stories: ideology, conceptual integration theory and the politics of representation 4. Macbeth, Murder, and the Linguistics of Agency: A deed without a name 5. Metonymy in Middleton's The Revenger's Tragedy and Webster's The White Devil: 'Bit Part' Actors 6. Ekphrasis and The Word as Image in Early Modern Poetry: Iconoclash. 7. Conclusion: the 'value' of the word Bibliography Index.
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