SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Esses roquero não curte: performance de gosto e fãs de música no Unidos Contra o Rock do Facebook
9 references·2 citing·33 second hop
Esses roquero não curte: performance de gosto e fãs de música no Unidos Contra o Rock do Facebook (2013)Esses roquero não curte: performance de g…Presentation of Self in Everyday Life, the (2008)Presentation of Self in Every…Fandom: identities and communities in a mediated world (2008)Fandom: identities and commun…Fandom: Identities and Communities in a Mediated World (2008)Fandom: Identities and Commun…Social Network Profiles as Taste Performances (2007)Social Network Profiles as Ta…Music Lovers. Taste as Performance (2001)Music Lovers. Taste as Perfor…Music genres and corporate cultures (2000)Music genres and corporate cu…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Science fiction audiences: watching Doctor Who and Star Trek. (1995)Science fiction audiences: wa…Rock versus pop: symbolic disputes at Rock in Rio music festival (2021)Rock versus pop: symbolic dis…Disputas sobre performance nos estudos de Comunicação: desafios teóricos, derivas metodológicas (2018)Disputas sobre performance no…The Presentation of Self in Everyday Life. (1956)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Taste for Privacy: An Analysis of College Student Privacy Settings in an Online Social Network (2008)Young people's use of online social networking sites – a uses and gratifications perspective (2010)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Unmarked: The Politics of Performance (1994)Cities of the dead: circum-Atlantic performance (1996)Performance Studies: An Introduction (2003)HARNESSING THE POWER OF GAMES IN EDUCATION (2003)CONSUMERS, CHARACTERS, AND PRODUCTS: A Balance Model of Sitcom Product Placement Effects (2006)THE METHODS, POLITICS, AND ETHICS OF REPRESENTATION IN ONLINE ETHNOGRAPHY (2007)Celebrity fan involvement and destination perceptions (2008)Disappointing Fans: Fandom, Fictional Theory, and the Death of the Author (2015)Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space (2018)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Playing to the Crowd (2019)Between Commerciality and Authenticity: The Imaginary of Social Media Influencers in the Platform Economy (2021)Anarchy is what states make of it: the social construction of power politics (1992)Cultural Intelligence: Its Measurement and Effects on Cultural Judgment and Decision Making, Cultural Adaptation and Task Performance (2007)The qualitative interview in IS research: Examining the craft (2007)Sensitive translations: Sensitive dimension and knowledge within two craftsmen's workplaces (2013)Improvisation and Social Aesthetics (2017)Class, Control, and Classical Music (2019)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)Female Fandom: Identity, Sexism, and Men’s Professional Football in England (2008)From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion (2018)Reaching audiences through travel vlogs: The perspective of involvement (2021)
this work references cited by second hop

References

  • 2008Presentation of Self in Everyday Life, the3,771 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 2008Fandom: identities and communities in a mediated world544 cited
  • 2007Social Network Profiles as Taste Performances414 cited
  • 2000Music genres and corporate cultures381 cited
  • 1995Science fiction audiences: watching Doctor Who and Star Trek.247 cited
  • 2008Fandom: Identities and Communities in a Mediated World211 cited
  • 2001Music Lovers. Taste as Performance80 cited

Cited by

  • 2018Disputas sobre performance nos estudos de Comunicação: desafios teóricos, derivas metodológicas17 cited
  • 2021Rock versus pop: symbolic disputes at Rock in Rio music festival2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work