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Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave
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Cahiers du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave (1985)Cahiers du Cinéma: The 1950s: Neo-Realism…Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960) (2015)Musique concrète, French New …Circuitous Action: Revenge Cinema (2015)Circuitous Action: Revenge Ci…Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy (2010)Screenwriting as creative lab…Critical Discourse and the Cultural Consecration of American Films (2004)Critical Discourse and the Cu…“What makes a girl who looks like that get mixed up in science?”;: Gender in Sam Fuller's films of the 1950s (2000)“What makes a girl who looks …Ethnography: Principles and Practice (1983)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Risk Society, Towards a New Modernity (1994)4 Screenwriters in Toronto: Centre, Periphery, and Exclusionary Networks in Canadian Screen Storytelling (2014)Originality and Authorship in the Development of the Screen Idea (2021)Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative Cinema (1989)Hollywood TV (1994)Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (1974)"Casablanca": Cult Movies and Intertextual Collage (1985)Kurosawa: film studies and Japanese cinema (2000)Film sound: Theory and practice (1985)The sounds of commerce: marketing popular film music (1999)Beyond the soundtrack: representing music in cinema (2008)Language and Symbolic Power. (1992)Culture and Cognition (1997)Only 15 Minutes? The Social Stratification of Fame in Printed Media (2013)The impact of peer-produced criticism on cultural evaluation: A multilevel analysis of discourse employment in online and offline film reviews (2013)Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)
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  • 2004Critical Discourse and the Cultural Consecration of American Films204 cited
  • 2010Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy21 cited
  • 2000“What makes a girl who looks like that get mixed up in science?”;: Gender in Sam Fuller's films of the 1950s8 cited
  • 2015Circuitous Action: Revenge Cinema7 cited
  • 2015Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960)6 cited

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