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Cited by

• 2014Exhibition Ethics - An Overview of Major Issues40 cited
• 2008Translating Tea: On the Semiotics of Interlingual Practice in the Hong Kong Museum of Tea Ware40 cited
• 2007Rethinking Evolution in the Museum: Envisioning African Origins32 cited
• 2010Quality assessment for the translation of museum texts: application of a systemic functional model32 cited
• 2014Cross-Cultural Pragmatics and Translation: The Case of Museum Texts as Interlingual Representation28 cited
• 2015Infrastructure and the experience of documents13 cited
• 2010Bobbing for power: an exploration into the modality of hair13 cited
• 2015‘A hypnotic viewing experience’. promotional features in the language of exhibition press announcements13 cited
• 2008The Micro-history of a world event: intention, perception and imagination at the Exposition universelle de 186712 cited
• 2017Reflections on the challenges of exhibiting popular music at the beginning of the 21st century through a case study of ‘A Magia do Vinil’10 cited
• 2008Places of Power: Control, Public Access and Authenticity at Rock Carvings in Tanum, Sweden and Val Camonica, Italy10 cited
• 2009“PAINTED IN SPANISH”: THE PRADO MUSEUM AND THE NATURALIZATION OF THE “SPANISH SCHOOL” IN THE NINETEENTH CENTURY6 cited
• 2013Transformations of museum-embedded cultural expertise