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None so vile? Towards an ethics of Death Metal
0 references·6 citing·17 second hop
None so vile? Towards an ethics of Death Metal (2006)None so vile? Towards an ethics of Death …Masculinity and underground music scene participation across time: A case study from Indonesia (2022)Masculinity and underground m…Religion and heavy metal music in Indonesia (2019)Religion and heavy metal musi…‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)‘Feel the Knife Pierce You In…Islamic Religion and Death Metal Music in Indonesia (2018)Islamic Religion and Death Me…Structural change in the music industry: a Marxist critique of public statements made by members of Metallica during the lawsuit against Napster (2009)Structural change in the musi…Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» (2009)Rethinking metal aesthetics: …Discipline and Punish: The Birth of the Prison. (1978)Bowling alone: the collapse and revival of American community (2000)Distinction: A Social Critique of the Judgement of Taste* (2018)Speech Genres and Other Late Essays (1986)The Field of Cultural Production: Essays on Art and Literature (1996)Club cultures: music, media and subcultural capital (1996)The field of Cultural Production (2002)Distinction. A Social Critique of the Judgement of Taste (1985)The Field of Cultural Production (1994)The New Metal Men: Exploring Model of Flexible Masculinity in the Bandung Metal Scene (2020)The Autonomy of Affect (1995)Non-Representational Theory (2008)The Affect Theory Reader (2010)Engaging with absence: Why is the Holocaust a ‘problem’ for metal? (2020)Music, media and urban mythscapes: a study of the ‘Canterbury Sound’ (2002)Subordinating hegemonic masculinity (2002)Hegemonic and subordinated masculinities: Class, violence and sexual performance among young Mozambican men (2009)
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Cited by

  • 2018Islamic Religion and Death Metal Music in Indonesia12 cited
  • 2019Religion and heavy metal music in Indonesia12 cited
  • 2009Structural change in the music industry: a Marxist critique of public statements made by members of Metallica during the lawsuit against Napster11 cited
  • 2009Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»8 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited
  • 2022Masculinity and underground music scene participation across time: A case study from Indonesia4 cited

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