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Acknowledgments Sandra M. Gilbert and Susan Gubar, Introduction: Gender, Creativity, and the Woman Poet I. oA Lonesome GleeO--Poets before 1800 1. Catherine F. Smith, Jane Lead: Mysticism and the Woman Cloathed with the Sun 2. Wendy Martin, Anne BradstreetOs Poetry: A Study of Subversive Piety 3. Katharine Rogers, Anne Finch, Countess of Winshilsea: An Augustan Woman Poet II. oTitanic OperaO--Nineteenth-Century Poets 4. Nina Auerbach, This Changeful Life: Emily BronteOs Anti-Romance 5. Helen Cooper, Working into Light: Elizabeth Barrett Browning 6. Dolores Rosenblum, Christina Rossetti: The Inward Pose 7. Adrienne Rich, Vesuvius at Home: The Power of Emily Dickinson 8. Albert Gelpi, Emily Dickinson and the Deerslayer: The Dilemma of the Woman Poet in America 9. Terence Diggory, Armored Women, Naked Men: Dickinson, Whitman and Their Successors III. oThe Silver ReticenceO--Modernists 10. Jeanne Kammer, The Art of Silence and the Forms of WomenOs Poetry 11. Gloria T. Hull, Afro-American Women Poets: A Bio-Critical Survey 12. Jane Stanbrough, Edna St. Vincent Millay and the Language of Vulnerability 13. Susan Gubar, The Echoing Spell of H.D.Os Trilogy IV. oThe Difference--Made Me BoldO--Contemporary Poets 14. Alicia Ostriker, May Swenson and the Shapes of Speculation 15. Hortense J. Spillers, Gwendolyn the Terrible: Propositions on Eleven Poems 16. Sandra M. Gilbert, A Fine, White Flying Myth: The Life/Work of Sylvia Plath 17. Suzanne Juhasz, Seeking the Exit of the Home: Poetry and Salvation in the Career of Anne Sexton 18. Barbara Charlesworth Gelpi, A Common Language: The American Woman Poet 19. Rachel Blau Duplessis, The Critique of Consciousness and Myth in Levertov, Rich, and Rukeyser Selected Bibliography Notes About the Authors
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