Through the Looking Glass: Photographic Art in Britain, 1945-1989

Gerry Badger · Peter Turner · Sarah A. Kent · Ian Veffrey

2 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Photographic and Visual Arts Visual Culture and Art Theory Photography and Visual Culture

Abstract

This catalogue documents a major exhibition of British photography from 1945 to 1989. Badger focuses on how American modernism influenced the British photographic community. Kent considers the artist's political and social responsabilities in relation to how meaning is created in photographs. Williams emphasizes the aesthetic values of feminist photography. Ehrlich calls attention to how influences from Germany and the United States affected cultural life in Britain after World War II. Jeffrey discusses British landscape photography in terms of the impersonal and transcendental aspects of modernism. Statements by Badger and Benton-Harris, and Osman. Biographical notes. 38 bibl. ref.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Imported from OpenAlex (CC0) — nothing here is generated.