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This paper adopts an innovative integrated approach to explore the chronology of a rock art tradition in Northern Greece. It relationally analyses different strands of evidence, which include iconography, style, the data sets derived from the structural and phenomenological investigation of the source material, and literature research. These various indicators point towards a Thracian authorship for the main corpus of the art, which together with the depiction of datable objects and practices anchors the chronology to a limited period of time. This paper has been abstracted and modified from the author’s more extensive doctoral thesis.
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