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‘The Revolution as Muse’: drama as surreptitious insurrection in a post-colonial, military state
0 references·3 citing·12 second hop
‘The Revolution as Muse’: drama as surreptitious insurrection in a post-colonial, military state (1998)‘The Revolution as Muse’: drama as surrep…Music and Human Rights in Africa: The Role of Music in the Promotion of Human Rights in Uganda (2019)Music and Human Rights in Afr…Theatre and/as insurrection in Zimbabwe (2012)Theatre and/as insurrection i…Making use of the stage in West Africa: The role of audiences in the production of efficacious theatre (2008)Making use of the stage in We…The Process of Drama: Negotiating Art and Meaning (1992)Legislative Theatre: Using Performance to Make Politics (1998)The Politics of Performance (2002)Contemporary theatre spaces: politico-ideological constructions in Zimbabwe: a dialectical approach (2015)From Panic to Reconciliation: Protest Theatre and the State in Zimbabwe, 1999–2012 (2016)Locating scenography in theatre for development projects at the University of Zimbabwe: the case of ‘Safe Cities’ project (2017)Literary History as a Challenge to Literary Theory (1970)The Social Production of Art (1981)‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre (2016)Morning Yet on Creation Day: Essays (1975)Music, Power, and Politics (2004)The art of protest: culture and activism from the Civil Rights Movement to the streets of Seattle (2006)
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  • 2012Theatre and/as insurrection in Zimbabwe11 cited
  • 2008Making use of the stage in West Africa: The role of audiences in the production of efficacious theatre5 cited
  • 2019Music and Human Rights in Africa: The Role of Music in the Promotion of Human Rights in Uganda3 cited

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