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Cited by

• 2011On the descriptive ineffability of expressive meaning152 cited
• 2004Accessing politeness axes: forms of address and terms of reference in early English correspondence130 cited
• 2001New Wine in Old Bottles? Voice, Focalization and New Writing105 cited
• 1998Hearing Voices in Narrative Texts95 cited
• 2009Communication and the representation of thought: The use of audience-directed expressions in free indirect thought representations88 cited
• 2004The Impersonal Voice in First-Person Narrative Fiction85 cited
• 2002Revisiting the notion of faithfulness in discourse presentation using a corpus approach83 cited
• 2004Free Indirect Discourse and Narrative Authority in Emma82 cited
• 2016Do Sentiments Matter in Fraud Detection? Estimating Semantic Orientation of Annual Reports82 cited
• 1996Effects of ‘narrative distance’ on readers' emotional involvement and response79 cited
• 2004Point of View in Translation: A Corpus-based Study of French Translations of Virginia Woolf's To the Lighthouse76 cited
• 2007Thought Presentation Twenty-Five Years On74 cited
• 2010When Written is Spoken: Dislocation and the Oral Code72 cited
• 2011The Language of Stories: A Cognitive Approach