Realism and popular cinema

Julia Hallam · Margaret Marshment

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Cinema History and Criticism Ethics, Aesthetics, and Art Literature, Film, and Journalism Analysis

Abstract

Introduction Part 1 1. Realism and film: discursive formations 2. Realist moments: representation and reality 3. Realism and genre: realising fantasy 4. The epic of everyday: notes towards a continuum 5. Discerning viewers: cognitive theory and identification Part Two 6. Revisioning history: realism and politics 7. Space, place and identity: re-viewing social realism 8. Violent appropriations: realising death

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