The Imperfect Art: Reflections on Jazz and Modern Culture

Ted Gioia

182 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette Coleman to such subjects as primitivism in the arts, neoclassicism, good and bad taste, improvisation and recordings and the imperfection of art, and aesthetics in general. Students of music and all those interested in jazz

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 182 citations exist upstream.

Cited by

2009Life and Mind 1993The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances 2010“Do You Know . . . ?”: The Jazz Repertoire in Action 1994Qualitative Research as Jazz 1996Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 2006Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation 2014Semiotic Dimensions of Creativity 2000"Feeling My Way": Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection

Imported from OpenAlex (CC0) — nothing here is generated.