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Das Land ohne Musik : englische Gesellschaftsprobleme
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Das Land ohne Musik : englische Gesellschaftsprobleme (1914)Das Land ohne Musik : englische Gesellsch…Magical Serialism: Modernist Enchantment in Elisabeth Lutyens'sO Saisons, O Châteaux! (2017)Magical Serialism: Modernist …Darwin, music and evolution: New insights from family correspondence on The Descent of Man (2016)Darwin, music and evolution: …The Viennese symphony 1750 to 1827 (2013)The Viennese symphony 1750 to…The symphony in Britain: guardianship and renewal (2013)The symphony in Britain: guar…The Cambridge Companion to the Symphony (2013)The Cambridge Companion to th…Other classical repertories (2013)Other classical repertoriesCyclical thematic processes in the nineteenth-century symphony (2013)Cyclical thematic processes i…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…NO “LAND WITHOUT MUSIC” AFTER ALL (2004)NO “LAND WITHOUT MUSIC” AFTER…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Musical Women in England, 1870–1914 (2000)Imperialism and music (2002)A Score of Change: Twenty Years of Critical Musicology and Victorian Literature (2011)The English Musical Renaissance and the Press 1850–1914: Watchmen of Music (2017)The expression of the emotions in man and animals. (1872)The descent of man and selection in relation to sex (1907)The Selfish Gene (1976)Evolutionary origins of music. Classical and recent hypotheses (2021)The Anxiety of Influence: A Theory of Poetry (1974)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Cambridge Companion to the Eroica Symphony (2020)Old Mistresses: Women, Art and Ideology (1982)Feminine Endings: Music, Gender, and Sexuality (1992)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)Music and the Agents of Obsession (2016)
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  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2016Darwin, music and evolution: New insights from family correspondence on The Descent of Man11 cited
  • 2012The performer and the composer10 cited
  • 2004NO “LAND WITHOUT MUSIC” AFTER ALL8 cited
  • 2017Magical Serialism: Modernist Enchantment in Elisabeth Lutyens'sO Saisons, O Châteaux!7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2012

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Vocal performance in the Renaissance
3 cited