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Reasons for Knocking at an Empty House: Writings 1973-1994
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Reasons for Knocking at an Empty House: Writings 1973-1994 (1995)Reasons for Knocking at an Empty House: W…Memory in Motion (2021)Memory in MotionPractice-infused drawing research: ‘Being present’ and ‘making present’ (2016)Practice-infused drawing rese…Imperfect media : the poetics of indigenous media in Chile (2004)Imperfect media : the poetics…Conversations on Choreography (2003)Conversations on ChoreographyMarinetti, Chopin, Stelarc and the Auratic Intensities of the Postmodern Techno-Body (1999)Marinetti, Chopin, Stelarc an…39 Microlectures: In Proximity of Performance (2000)Performance Philosophy: an introduction (2020)Image-Music-Text (1977)The End of Organized Capitalism. (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Coming to Our Senses: Healing Ourselves and the World Through Mindfulness (2005)The debate on research in the Arts (2010)Being Alive: Essays on Movement, Knowledge and Description (2012)The archaeology of knowledge ; and, The discourse on language (1972)The End of History and the Last Man. (1992)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Imagens de um passado sensível: formas de memória do cangaço em arquivos públicos, pessoais e digitais (2020)Digging for the Truth: Archival Bias in the Case of Yugoslavia (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Modernity at Large: Cultural Dimensions of Globalization. (1998)Estéticas enraizadas: aproximaciones al video indígena en América Latina (2012)Charting a Theoretical Framework for Examining Indigenous Journalism Culture (2013)Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo (2019)
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  • 2004Imperfect media : the poetics of indigenous media in Chile37 cited
  • 2021Memory in Motion13 cited
  • 1999Marinetti, Chopin, Stelarc and the Auratic Intensities of the Postmodern Techno-Body6 cited
  • 2003Conversations on Choreography5 cited
  • 2016Practice-infused drawing research: ‘Being present’ and ‘making present’4 cited

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