The Icon of the Woman Artist: Guan Daosheng (1262–1319) and the Power of Painting at the Ming Court c. 1500

Abstract

This chapter contains sections titled: Women On Top? Empress Dowager Zhang and the Iconography of Dominated Female Power Feminine Ingenuity: Lady Li and the Genesis of Painting Ink Bamboo Graphic Language: Guan Daosheng, Bamboo, and Self-Expression Entre Nous: Women as Audiences for Paintings by Women Figuring What Women Want: The Icon of the Woman Artist References

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