Las obras de Pellegrino Tibaldi en el Escorial: un resumen original del Arte italiano de su tiempo

Michael Scholz-Hänsel

1 citations0/0 files storedDigitum: Institutional Repository of the University of Murcia (University of Murcia)

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Historical Art and Architecture Studies Renaissance and Early Modern Studies Architecture and Art History Studies

Abstract

Tibaldi carried out the main works of decoration of El Escorial (high altar, library and cloister) during the 16 th.century, and had to create again most of the works by Federico Zuccaro.Dealing in this paper with Tibaldi's paintings in fresco in the library, we propose that his work mirrors the most advanced state of the ltalian art at that time.His bad reputation was only a consequence of the cultural change ocurred in Spain during the last years of the reign of Philip the Second, and of his no-reception in Europe (this was also a problem of Spanish art in general).Cuando el historiador del arte Carl Justi pronunció hace 110 años en Bonn su conferencia sobre ((Felipe 11 como aficionado al arte», no solo cuestionó su imagen de déspota inexorable -imagen difundida en Alemania primeramente por Schiller-sino que también echó las bases para una nueva valoración de las artes plásticas en la España del siglo XVI.' 1.Carl JUSTI, ((Philipp 11. als Kunstfreundn, en: Miscellaneen aus drei Jahrhunderren spanischen Kunstlebens, Berlin 1908, p.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Imported from OpenAlex (CC0) — nothing here is generated.