Practice in the Flesh of Theory: Art, Research, and the Fine Arts PhD

Abstract

In what follows I offer an anecdotal engagement with the Fine Arts PhD at a moment when it is just emerging in North America. I argue that doctoral activities that cross theory/practice lines, at their best, offer a unique opportunity to rethink what constitutes academic knowledge production and assessment by necessitating that these lines be made porous and responsive to each other. This reconfiguration, to the extent that it calls into question both the subject and object of knowledge, is one that benefits from the insights of feminism in its “new materialist” incarnation.

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