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The Tenth Muse: A Historical Study of the Opera Libretto
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Cited by

  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2021Music to my ears, but words to my eyes? Text, opera and their audiences27 cited
  • 1993Dr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carré23 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2006Recognition in Mozart's Operas12 cited
  • 2012Introduction: opera studies today11 cited
  • 2016Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance11 cited
  • 1973Apologia pro Ottavio Rinuccini8 cited
  • 2006The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine8 cited
  • 2012Genre and poetics8 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 2012Voices and singers6 cited
  • 2004

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The comic mode
6 cited