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Hoe schilder hoe wilder: Dissolute self -portraits in seventeenth -century Dutch and Flemish art
16 references·0 citing·31 second hop
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this work references cited by second hop

References

  • 1999The waning of the Middle Ages369 cited
  • 1940Ut Pictura Poesis: The Humanistic Theory of Painting217 cited
  • 1990Women, Art, and Society143 cited
  • 2019The Fictions of Satire121 cited
  • 1983Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century121 cited
  • 1981Life and work107 cited
  • 1969Born under Saturn : the character and conduct of artists, a documented history from antiquity to the French Revolution103 cited
  • 1965Lives of the Artists97 cited
  • 1975Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Age of the Baroque96 cited
  • 2015The Praise of Folly89 cited
  • 1966The Portrait in the Renaissance85 cited
  • 1963Praisers of Folly83 cited
  • 1969Painting and the Liberal Arts: Alberti's View74 cited
  • 2000Seductress of Sight: Studies in Dutch Art of the Golden Age59 cited
  • 1940Artistic theory in Italy, 1450-160055 cited
  • 1976The Five Senses: Studies in a Literary Tradition54 cited

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