Abstract This book argues that Augustine's Confessions may fruitfully be read as a series of encounters with language and signs: as a baby learning to speak, as a schoolboy orator, student, professor of rhetoric, and Christian exegete. While language is a universal human characteristic, the fact of languages tends to divide humans into arbitrary and uncomprehending communities; and even in individual communities, language can be manipulated or simply misunderstood. On the theological level, Augustine faces question of how to describe (and invoke) an absolute and immutable God in language that is necessary arbitrary and mutable. This book seeks to explore these questions through a close analysis of specific linguistic features of the work, such as his use of the language of Roman comedy, his attitudes towards Greek, or his use of biblical Latin. Consideration is given also to such ‘paralinguistic’ activities as singing or laughing, and to the relationship between the spoken and the written word.
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