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Mozart and the Enlightenment: truth, virtue and beauty in Mozart's operas
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Cited by

  • 2010When Opera Meets Film81 cited
  • 2004Three Modes of Perception in Mozart51 cited
  • 2017The Cambridge Companion to German Idealism49 cited
  • 2017The Enlightenment and Idealism29 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2018Mozart and Freemasonry16 cited
  • 1997Peopling the Stage: Opera, Otherness, and New Musical Representations in the Eighteenth Century12 cited
  • 2006Recognition in Mozart's Operas12 cited
  • 2012Introduction: opera studies today11 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 1997Mozart and the Theater auf der Wieden: New attributions and perspectives7 cited
  • 1998Vogler's Method of Singing6 cited
  • 2005Monostatos and His "Sister": Racial Stereotype in Die Zauberflote and Its Sequel6 cited
  • 2004The comic mode6 cited
  • 2010A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'TheaTres de la foire'5 cited
  • 2012

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‘An exotic and irrational entertainment’: opera and our others; opera as other
4 cited