Representing blackness: issues in film and video

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Cinema History and Criticism Race, History, and American Society Cultural Identity and Representation

Abstract

Black beginnings - from Uncle Tom's Cabin to The Birth of a Nation spectatorship and capture in King Kong - the guilty look Race Movies as voice of the bourgeoisie - The Scar of Shame The Scar of Shame - skin colour and caste in silent melodrama a no-theory theory of contemporary cinema but compared to what? - reading realism, representation and essentialism in School Daze, Do the Right Thing and the Spike Lee discourse what is this black in popular culture? innocence and ambiguity in the films of Charles Burnett visible silence - spectatorship in gay and lesbian film Haile Gerima and the political economy of cinematic resistance telling family secrets - narrative and ideology in Suzanne, Suzanne by Camille Billops and James V. Hatch.

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2020The Crying Child 2010Divas on screen: black women in American film 2003Black Faces, White Voices: The Politics of Dubbing in Carmen Jones 2000Blaxploitation Horror Films: Generic Reappropriation or Reinscription?2008The ‘Reol’ Story: Race Authorship and Consciousness in Robert Levy's Reol Productions, 1921–1926 2002Black-Audience Westerns and the Politics of Cultural Identification in the 1930s 2004Global Feminisms and the State of Feminist Film Theory 2000Feeling Pretty

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